Myles Lloyd is stepping into a new chapter with the release of I’m Still Thinking, a project that feels like his most honest and fully formed work yet. The Montreal singer has been quietly building momentum over the past few years, and this album shows exactly why so many listeners have been gravitating toward his sound.
Myles Lloyd has a way of blending nostalgic R&B textures with clean, modern production. His falsetto sits right in that early 2000s pocket, but the storytelling feels very now. His music hits the overthinkers, the romantics, and anyone who feels like they live in their own head a little too much. I’m Still Thinking leans into that completely. Across 13 tracks, he opens up about anxiety, heartbreak, growth, and the messy process of figuring out what it actually means to let go of the past.
You hear the confidence on songs like “Grapevine” and the quiet self-reflection on “Cold.” The whole project feels like a late-night car ride conversation, the kind you only have when you’re finally ready to tell the truth.
Myles Lloyd speaks on the project
“‘I’m Still Thinking’ is the space between holding on and letting go,” Lloyd says. “Making this album was like talking to myself out loud. It’s messy and honest. These songs helped me understand what I was still carrying.”
The album includes his breakout hit “Drive Me Crazy,” the dreamy, futuristic R&B track that turned him into a global name. The song has more than 22 million streams, earned a co-sign from ENHYPEN, charted in South Korea, and sparked a remix with BUNT. that added millions more plays.
At 27, Lloyd has already put in years of groundwork with past projects like Goodbye, Forever, Yours, and WHAT MORE CAN I SAY?.
In a genre that moves fast, Lloyd’s focus has always been on longevity and substance. I’m Still Thinking feels like a turning point, not because he reinvented himself, but because he doubled down on who he actually is.
